Maiko - original oil pastel portrait of a maiko

I love drawing geisha and maiko. This interest began with a drawing group I attended years ago where there was a model from Japan who often dressed in a kimono when she came to pose for us.  Just about everything they wear and do means something  - it's fascinating to me, so sometimes I go through my old drawings and find something I'd like to take a little further.  This drawing is on 12 x 9" Pastel Premier.  Thanks for looking!
 

Feather Earrings - original oil pastel portrait

 

                                   One of my drawings was accepted for exhibition in the

                                Catharine Lorillard Wolfe online show that can be viewed

                                                        during the month of October.

 I was trying to work with neutrals here to give the red feather earrings more 'pop'.  This piece is painted on 7 x 5" Pastelbord.  The great thing about Pastelbord - when working with oil pastels - is that with time, the oil pastels on this support tend to feel dry to touch.  Still, I like to spray with oil pastel fixative several days after the piece is completed.  Thanks for stopping by!

Nude on Black Paper - original oil pastel nude

Ever since my college days where I first encountered life drawing classes, drawing nudes has been my very favorite art thing - could do this all day long and when I have the chance, that's just what I do.  The figure is my true love!  I also adore the mystery of back views.  Anyway, here I drew the outline very lightly, then did a gestural drawing of the model, working over the whole painting very loosely with my Sennelier oil pastels and butting the colors of the figure up against the colors in the background. (Edge battles are even present in oil pastel.)  I really do recommend working on a black support - it's definitely a 

pleasure to use. This piece is about 6 x 8" on black Mixed Media paper by Strathmore.  Thanks for stopping by!
 

The Flamenco Dancer in Profile - original oil pastel portrait

 I started this portrait a few months ago, painted most of the pose, then put it where I passed by several times a day, but sort of forgot about finishing.  And of course, by the time I was inspired to get it done, no model, therefore the memory thing again.  Most of what I lacked was the lace and I actually have some very similar to what she was wearing, so that was lucky.  Done on 12 x 12" Pastelbord, using Sennelier oil pastels.  Thanks for visiting my blog!

Scribbled Dancers - original ink figurative drawing

I was watching a movie and this couple was dancing and I just had to draw them.  This was one of those times when drawing from memory came in handy since I had to draw really quickly before the vision left me!  Drawing the action on the TV is one of my favorite practice devices.  Anyway, much fun doing this one, using unforgiving ink and giving my memory a workout.  The ink was a Sharpie ultra fine and a Prismacolor marker on Strathmore Mixed Media matted to about 12 x 8".  Thanks for stopping by!

Little Landscape - original small oil landscape painting

Okay - not really my thing, but was out at the park, sooo. . . .  The canvas is 5 x 4", and that makes it easier.  It's been way above 100 degrees day after day here and being outside was the very last thing on my mind.  It's a little cooler now so I have absolutely no excuses!  The South Llano State Park is beautiful and a treat to visit - just a few miles from Junction so maybe - just maybe - I'll get this landscape painting thing down!  Thanks for stopping by!

Lilia Looking Back - original oil pastel portrait

Not a pose she (or anyone) could hold for the usual 20 minutes at a time, but little by little we got it done.  For this one, I used Pastel Premier sanded pastel, 12 x 9" which is such a wonderful surface for oil pastel.  Also used mostly Sennelier, with a few Caran d'Ache and Craypas Specialists.  I tried with this one to make it more 'finished' and smoother - not so sketchy.  Anyway, much fun to do this painting and Lilia liked it which is always the seal of approval!  Thanks for stopping by!

Lost in the Tango - original oil figurative painting

My little dancers are back and wasting no time!  I tried a more blue background on this painting, with bits of green. I love the way this guy is so in control, which when reflecting on my teenage ballroom dance lessons, is the way it's supposed to be! This one was done on 7 x 5" Gessobord.  Thanks for looking!

Sketch of Mei as a Maiko - original charcoal and white drawing

A several month old sketch of Mei, who has posed before as a geisha/maiko, drawn with charcoal and white pencil on Mi-Teintes paper.  I've always loved using the textured side since I think it keeps me from overworking, but for this drawing I used the smooth.  Not sure if this is my best depiction of Mei - and I have a lot of drawings of her - but I am happy with how it turned out.  Thanks for looking!

Drawing of the Model on Black Paper - original oil pastel portrait

It seems like forever since I've posted but I've been working on lots of art - have even done some printmaking with a few monotypes and a drypoint to show for it.   Here's an oldish drawing done on Strathmore black mixed media paper, 12 x 9", using mostly Sennelier and a couple of Caran d'Ache Neopastels and Sakura Specialists.  The black paper is great to work on and I just bought another pad of it to take to the next drawing group I attend.  This was a quick study - my favorite - and while I didn't have a lot of time (to kill it with overworking), I was pretty happy with the results.  Hope you're all staying well and thanks for stopping by!

Sketch of the Model in a Black Robe - original oil pastel figurative

I love when the model is just relaxing - not worrying about maintaining a pose - and waiting until the break is over.  This 11 x 10" oil pastel is done with Sennelier oil pastels on Strathmore acrylic paper, which I like for its "canvasy" pattern and the 246 lb. weight.  Very sturdy!  I also like using this paper for acrylic brush drawings - give it a try.  Thanks for looking!

Ballerina Sketch - original figurative charcoal drawing

I love dancers - whether ballet, tango, country - they are my favorites to draw and paint!  This pensive little dancer was a dream to draw on one of my favorite papers, Colourfix smooth, using my true love of a medium - vine charcoal.  Also used my trusty kneaded eraser a lot.  I just went with the looseness, especially in the body and kept it kind of flat, only modeling the face.  A lack of time makes one choose from the available options.😊
  Thanks for stopping by!

Sketch of the Seated Model - original oil pastel and charcoal figurative

I have made and destroyed so many drawings and paintings over the last several weeks - probably in my continuing quest for ways to combine color and line - and this drawing proved so satisfying - all of you artists out there know that feeling! 😊  Plus I was so happy to have a really great model.  Also I was trying out Pastel Premier 9 x 12" sanded paper and am delighted to report that I'm crazy about it!  It's made in the USA - Yay! The combination of General Pencil's Peel n Sketch charcoal pencil and mostly Sennelier and a couple of Caran d'Ache oil pastels on the Pastel Premier pastel paper was heavenly for me.  Hope everyone's doing great and can get back to work soon.  Thanks for stopping by!

Sketch of Libby - oil pastel portrait drawing

On Colourfix 16 x 12" smooth pastel paper, my usual lament - not enough time.  Actually, though, I think since I'm a devout over-worker, it really is enough time for me.  Can't do any more when the time's up, thank goodness.  Thanks for looking!

Red Hat - original oil pastel portrait

Here's one that I did on 12 x 9" grey Pastelbord.  Great model - didn't get to finish it, though, before the time was up, but I am happy with it.  Thanks for looking!

Blue Night - original oil pastel portrait

This piece is one that I did mostly from a charcoal drawing, although I did begin working with the oil pastels while still at the drawing group.  Alas, there wasn't enough time before the model left, so I did have to spend more time working from the drawing.  It's on 8 x 8" Ampersand Pastelbord, one of my favorite surfaces.
I've been away for awhile, in London and Paris - was lucky to have seen the Gauguin show in London and the 'Degas at the Opera' show in Paris.  I loved that they showed Degas' work using essence - which I have rarely seen - and gave such an honest portrayal of the realities of the ballerinas' lives.  Not just pretty paintings, for sure!
Thanks so much for looking!

Melissa - original oil pastel portrait

This fairly quick little 7 x 5" portrait on Pastelbord was fun for me because I didn't really draw it first - just colored the shapes I wanted and the model and I were very pleased with how it turned out.  It captures her personality, I think - sorry for bragging a bit, but portraits can be hit or miss and when you get a hit, it really feels good!  Thanks for looking!

Jessye - oil portrait sketch

This quick 12 x 9" oil sketch was done on Gessobord - I kind of like the effect of neutrals (which are beautiful in their own right) with a bit of color.  Thanks for looking!
                             

New Year's Jive - original figurative oil painting

Starting 2020 off the right way, this little jive couple keeps the dance going on 6 x 8" Gessobord with lots of brushwork describing their energy.  Thanks so much for looking - and Happy New Year!

Sketchbook Nude - original charcoal drawing of a nude

I was attempting to draw the model without much modeling.  It was kind of slow work since there was no gesture drawing as I usually do.  Loved the heck out of doing this one!  It's about 10 x 14" - thanks for looking!

Jiver Twirl - original figurative painting of dancers

Just a couple of jivers having fun - oil on 8 x 8" canvas.  Hope you're having a great Thanksgiving!

The Student - original charcoal portrait drawing

Here's a 14 x 11" drawing of a young woman done on Strathmore toned paper, using General Pencil Company's EuroBlend charcoal pencils and vine charcoal. Hope y'all have a Happy Thanksgiving!

Sarah with Red Hair - original oil pastel portrait

Loved doing this one - made the background "chartreusy", even though in real life it was grey.  There's just something about greens and aquas - yum!  Plus, with the red, red hair, I couldn't help myself.  Anyway, this little drawing is 7 x 5" on Pastelbord - will probably put it on a small easel.  That's another of the things I love about Pastelbord - I can display my work either on an easel or framed using spacers.  Makes art life easy!😃

Ready for Odile - original figurative oil pastel

 Maybe I will eventually do this one in oil paint or acrylic.  The Black Swan is a fascinating character and what a beautiful ballet "Swan Lake" is!  This piece is on 14 x 11" Pastelbord.  Thanks for stopping by!

Jive Scribbles No. 7 - how I draw jive dancers

I've had this drawing for months and finally decided to post it since at the moment, all I have are pieces in various stages of finish.  This drawing was a lot of fun to do - just scribbling gestures all over the paper with smaller scribbles on the bottom.  I used an Itoya Calligraphy pen, along with fine  point Sharpies.
 I was lucky to be at a jitterbug exhibition where it would have been so awkward to pull out my pencil and paper, plus it was really dark where we were sitting.  And anyway, I've decided that in these instances, memory is better, even if you can only remember one bit of the dance.  (The reason for that approach is that when you're drawing - unless you're doing a blind gesture - you'll miss lots of the actual dancing because it goes so fast.)
So when I returned to the studio, I streamed some oldies jitterbug music like "Tutti Frutti","Whole Lot of Shakin Goin On", "Rock Around the Clock" - great jive music.   And, using the fine point pen, drew just a bit of what I remembered from the dancers' movements and then keeping my pen on one part of the gesture, began another drawing of the same subject in a slightly different position.  I love that layered look for drawings!  And having the jitterbug music on is kind of an inspiration and helps me to remember more of what happened on the dance floor.  It reminds me not to get tight and to just let the lines flow.
Worked my way across the page - only drew a couple of gestures before the main drawing, but sometimes I do a lot more of the fine line gestures - and then end up doing a bolder line drawing.  I added a few smudges of charcoal in the center.  The little gestures on the bottom are there because I was just fooling around while listening to the music - I never meant to post this - it's just a stream of consciousness kind of thing.  This drawing is on 16 x 20" Canson board.  Thanks for stopping by!

Drawing with My Fingertip IPhone Art - portrait drawing

Something to do while waiting - drawing on my iPhone - usually I just use it to remind me of a scene, but occasionally I get brave and post one to my blog.  It's just fun - never know how it'll turn out, but I guess that's the way with just about everything. 😊

Stella Doing the Twist - original charcoal figurative sketch

Play old-time rock 'n' roll music and get the model doing 'the twist' - much drawing fun!  (I recommend Chubby Checker's music.)  This all dates me, of course. 😃 I loved doing this drawing and would like to do a much longer piece of dancers twisting - it would probably have an athletic look - something to pursue - always looking for ways to depict the figure!  This one is on 14 x 11" Strathmore toned paper.  Thanks for stopping by!

Morning Watercolor Ivy - original watercolor sketch of ivy

More watercolor practice using the little jars of ivy in my kitchen window.  Not a watercolorist, of course, but fun to do and sort of gets me going early in the a.m.  Was so anxious not to overwork, that I left a few things really unfinished.  I'm wondering if anybody out there is as likely to overwork - in any medium - as I am.  It must be a personality thing.  I did this one on 9 x 6" cold press paper.  Thanks for visiting!

Nellie's Red Hat - original oil pastel figurative drawing

Totally love those flappers!  And the delight of not having enough time to make it an actual "finished painting" so it remains loose and more of a drawing.  Of course when is it a drawing and when is it a painting?  Some of my most successful drawings have been done with oils and you probably can say the same.  I was reading the other day about alternating between paintings, which I do, but always setting a timer for each one so there's a freshness for each piece.
I sometimes set a timer, but then get hung up on some little something and turn it off.  And then the overworking sets in.  Memo to me - obey the timer!  This drawing is on smooth Colourfix paper.  I bought two packages - one fresh grey and one black - great for lots of media - 12 x 9".  Thanks for looking!

Two-Stepper Sketch - original oil figurative sketch of dancers

Every summer I go to the rodeo dances here in Junction and draw and take photos, just like I do at the rodeo that precedes the dance.  I have tons of drawings and photos that I can draw upon (pun intended) through the winter months.  There's just nothing like the way people move, plus their expressions - endlessly fascinating, I think.  Like this guy and the way he was looking at his dance partner - I keep wondering. . . .  I'll be posting more two-steppers in the days ahead - have been looking for two-step instructional videos for those of you who are interested in learning, but most I've seen are so corny.  Will keep searching, though.  This one is 14 x 11" on stretched canvas.  Thanks for looking!

Portrait Sketch in Sanguine - original portrait drawing

I seldom use sanguine, but used it along with a few General's pastel sticks and had a good time with it.  Colors in the pack were perfect for redhead coloring and I used smooth 9 x 12"  Colourfix paper in Fresh Grey, which has a blue tint so the color couldn't have been better as a surface, I think.  Usually I'm not a fan of drawing teeth, but in this case, the model had such an engaging smile that I found it a pleasure.  I knew, though, that it would be difficult to hold, so I got the smile down right away because I loved the way it looked at the beginning.    Thanks for stopping by!

Blue Robe - original watercolor portrait painting

The cobalt blue robe was so pretty on the model and showed off her porcelain complexion perfectly - a joy to paint her.  Watercolor is always so iffy for me - tough to put the paint down and leave it alone, so maybe it's good I didn't feel there was enough time to get everything finished.  Putting the paint down on the paper and not noodling with it is foreign to me but I worked hard to do that here - just lifting the brush and not going back. Whew!  On about 7 x 6" watercolor paper.  Thanks for stopping by!

Floating Nude - original oil pastel nude

I loved the pose and painted it on 5 x 7" Pastelbord using Sennelier oil pastels.  This brand of oil pastels is like painting/drawing with a luscious lipstick, plus by not sharpening to a point, I feel it keeps my work from being too tight.  It seems that when I touch the surface with the blunt, unsharpened oil pastel, it's anybody's guess where it will land 😀 and that often works out well, I think!
When I looked at this piece later in the day, I realized I hadn't fully covered the bottom with the red rug and decided it looked like she was floating - sooo "Floating Nude" it was.  Thanks for stopping by!

Ivy - original watercolor with ink painting of ivy

I was looking out my window and decided to do this little jar of ivy in the window.  After doing the leaves, I decided they needed a few lines - I'm a line lover - so I took out my ballpoint and added lines here and there.  It was early morning when I did this one and it was fun to start my day with this little piece - about 8 1/2 x 5 1/2".  Thanks for stopping by!

Profile in Charcoal - original charcoal drawing of woman in kimono

Love these profiles - this is a quick one in charcoal on 12 x 9" smooth Colourfix paper.  Not a lot of grit to it (what did I expect when it says "smooth") and I like it a lot for pastel pencils, not so sure about using it when drawing with charcoal.  It'll be okay with oil pastel, but won't hold lots of layers, so I'd better work at getting it right the first time and not piling it on the way I ususally do.  Thanks for stopping by!

Leah in Green - original oil pastel portrait

Green is such a beautiful color and I'm always looking for ways to include it in portraits, so it was wonderful that Leah strolled in wearing a green top.  Generally I like to mix greens, but I had a dark green that worked well and I lightened it here and there with lighter values - not with greens, but warmer colors like peachy shades.  I used mostly Holbein oil pastels on 7 x 5" Ampersand Pastelbord.   I'm posting this while listening to the soundtrack from "Honeymoon in Vegas" - so great and a funny movie, too!  Until recently, multi-tasking was considered a good thing, but lately I've been hearing that it's not such a great thing for one's brain.  Gotta protect those cells, so stopping now to hear the rest of Vegas, then on to Johnny Rodriguez.  Thanks for stopping by!

Portrait Sketch in Oil - original drawing in oil

Trying out the Strathmore oil paper, which I love, with a quick little sketch.  This paper has a linen-like surface that isn't at all distracting and is also perfect for oil pastel.  Strathmore has introduced some papers lately that I really like, in addition to this one - their Printmaking as well as the Dark Blue toned paper.  They're both great additions to the Strathmore line.  Thanks for stopping by!

A Couple of Baseball sketches - charcoal drawings

I have pages of these, but kinda liked these two - seemed to have the fire.  Keep hoping for the O's but alas - maybe next year.  Thanks for looking.

Blue Sofa - original oil pastel figurative painting

  This little 5 x 7" piece is Holbein oil pastel on Pastelbord.  Thanks for stopping by! 

Sweet Jive - original oil pastel figurative

I love the looseness I can get with oil pastel and fairly gritty surfaces (in this case Ampersand Pastelbord).  Lines, scribbles and emotion always make me feel like I've done something with my day!  I used Holbein oil pastel on this 7 x 5" piece.  Thanks for looking!

Seated Nude - charcoal drawing of a nude model

My most fun art thing - drawing from the model.  I love the emotion that shows in the posture of every person, whether they are posing in the studio, or maybe visiting with friends or reading a book, whatever - it keeps me on my artistic toes.
In this case, I found the dignity in the pose so beautiful. And, of course, my usual complaint -  there's never enough time to do everything in a timed drawing, so I went for some lost and found lines in this piece. It's about 9 x 9" - on Strathmore toned paper, using the ever wonderful vine charcoal.  Thanks for looking!

Three Nudes - ballpoint pen sketch

One of those drawings I like to do at drawing groups - putting three figures over each other.  I like that there's no time to fix things, but just record my response to the model.  When I do these kinds of drawings, I always leave with a sense of accomplishment - even more than when I've done a fairly successful painting.  Not sure what that says about me and am not going to try and analyze, but just go with it.  I matted this to about 10 x 7".  Thanks for looking!

On My Easel - Portrait of a Scholar WIP - oil pastel

Definitely a work in progress with much more to do, but I'm beginning to see the light at the end of the tunnel.  It's too "warm" for me, so am doing a bit of cooling off - blue in the background and possibly more to come.  This is one I'll leave alone for a few days and see how it looks then.  I have lots more to do re drawings and paintings.  Will post again when it's finished - 16 x 12" on gritty paper.  Thanks for looking!
To see more about the oil pastels I'm using in painting this portrait, click here to visit my oil pastel blog.

It Begins with a Gesture - original charcoal figurative gesture drawing on toned paper

Well, at least for me, it always starts with a gesture.  I think gesture drawings are almost as individual as fingerprints and I love seeing how other artists approach their drawings and often, ultimately, their paintings.
Some artists draw from the inside of the figure (or subject) and sort of "feel" their way to the outside of the figure, but others do the exact opposite, working from the outside in.  I have even seen a few artists who put down a single line with few or no 'searching' ones.  Whatever works for the artist is the perfect approach to drawing gestures!
Those starting lines can be so beautiful and I think it's important not to erase the lines with which the drawing is begun - those 'exploring' lines give a bit of life to the drawing.   When I forget that, and  erase a line I think isn't working, I'll often accidentally put it back in the same place, and then it can be too dark and the paper may be roughed up, so I usually try to keep the eraser far from my reach! 
Gestures are such a stream-of-consciousness endeavor.   Some days I think I will just do gesture drawings only from now on - and yesterday was one of those days.  Great things can come from gestures, but even if nothing fantastic develops, we still have an interesting record of what we were seeing at that moment in time!
This drawing is done on Strathmore 8 x 6" toned Mixed Media paper.  Thanks so much for looking!

In a Mood - original charcoal portrait drawing

Maybe this is the last one - no promises - of my charcoal drawings on paper from the Mi-Teintes pad.  Thanks so much for stopping by!

Tango in Gold - original figurative charcoal drawing

Another charcoal drawing on the Mi-Teintes pastel pad I bought this past weekend.   I just love line drawings, so had lots of fun drawing on the textured side of the paper - added a bit of white here and there.  I guess I just have to get this Mi-Teintes thing out of my system.  Thanks for looking! 

My Reluctant Model - original charcoal portrait sketch

I can be so persuasive sometimes - or maybe overbearing - when getting someone to pose for me, however briefly.  When their patience runs out, I turn to the camera.  This young woman held the pose as long as she could stand it, for which I was totally grateful!

I loved her hesitant manner, as if she might not have thought this was such a good idea.  I'm just crazy about capturing people's emotions that they don't only display in their faces, but in their gestures, as well.  Was trying not to overwork, so purposely didn't spend much time on the drawing or go back and "fix" things.

There was a sale on paper at my store and I bought a couple of tablets of Mi-Teintes.  For some reason - and I seldom hear this from anyone - I love the textured side.  I appreciate the looseness the textured side produces and I can always stump the charcoal if I want some of the drawing to look smoother.  When I drag my vine charcoal across the paper, the textured side grabs only some of the charcoal so I don't have to soften a line - the paper just sort of does it for me.  There's some white hard pastel in this 12 x 9" drawing along with the charcoal.  Thanks so much for stopping by!

Preparatory Sketch for a Portrait - original charcoal portrait sketch

I was going

through some old sketches and came across this study that I did for a small portrait painting years ago.  I used vine charcoal (my fave) on 12 x 9" toned paper.  It's a lot of fun to look back at artwork from the past.  Thanks for stopping by!

Lou as Cleopatra - original oil pastel portrait

It's great when models dress up in historical garb and sometimes they even take on the personality of their character.  Lou is this kind of model - she was very regal while she sat for us.  Well, Cleopatra, after all.  I used mostly Sennelier oil pastels, with a few Caran d'Ache on Colourfix 12 x 9" smooth pastel paper in Fresh Grey.  Thanks for stopping by!

Exhausted - original charcoal figurative drawing of a young woman

This young woman was clearly so tired as she waited for the bus.  I asked her if I could snap a picture for a drawing - and she was agreeable.  It's always great when someone agrees to pose or lets me take a photo.  This piece is on toned paper, using vine charcoal - and although the support looks tan, it's really grey - surely my photo skills aren't that lacking!  It's gotta be the camera.  I used some scribbles of white for the background and for highlights.  This drawing is 12 x 9" and I loved making it - thanks for stopping by!