"A Little Ink Drama" - original ink drawings from life with a bit of white chalk

 Here are a few drawings from a life drawing group that had a great model.  All of her poses were so good and she could hold the long ones as well as the short ones, too. 

 The thing about drawing from life using ink is that it's a great drawing teacher - the marks are there to stay and we can learn what we did wrong - well maybe not wrong, just not what we intended.  While they can't be changed (although marks can be modified in interesting ways with non-waterproof ink) I always learn something from my ink drawings.  Mainly, though, I love ink drawings because they show what you're thinking - or how you react to the model - at the moment you put pen to paper.

I used Itoya calligraphy pens and Derwent Line Makers on Strathmore Mixed Media paper and added a little Derwent Chinese White drawing pencil on the front figure because I thought I got the shadow under her neck a little dark.  Did I cheat a teensy bit? Artistic License😉.  Thanks for stopping by! 

Which Pose to Choose?

I was trying to decide on a "pose" for a flamenco painting - so I went through a few of my drawings to find one I liked.  The first one I did from life and was quickly drawn - much lighter because I was using a smaller nib and I was scribbling furiously to capture the dancer's motion.

 But the second one below is one that I did while looking at the first drawing - because I didn't really like the position of the dancer's left arm in the first drawing.  My take is that the first one is much better and has more energy to it.  (All the lines on her arm help me when I'm dealing with foreshortening.). The second drawing seems so still by comparison.  I do like the lines on it, but I had more time to incorporate a variety of lines with that one.

So I guess this post is just about me telling myself once again that drawing from life is the absolute best way to record movement!  Will paint from the first one - maybe move her arm a little and paint quickly while I listen to music for flamenco dancing.

Yesterday afternoon was spent at South Llano State Park near Junction, Texas, drawing trees.  I thought I had done a pretty good job with a cedar stump and was going to post it today.  But no.  It looked so ridiculous.  However, I will get brave and post the next tree drawing - am lately interested in doing dry point etchings of trees.  Stay tuned.  Thanks for stopping by!

 

More Jivers - Original Figurative Drawing

 This 11 x 14" charcoal and ink drawing on Bristol board was a challenge because of the woman's turn of her leg - always kind of tough to depict, but I'm happy with how it turned out.  Just put on the music and drew these two jivers - much fun! I teetered on overworking this piece but held off - thanks for stopping by!

Mrs. Kelly - An Amusement in Monotype - a reductive method monotype plate

I did this monotype plate on styrene - don't have the print anymore, but inked up the plate again and it's still hanging around.  They're fun to do - monotypes - and goofs are always pretty interesting, like the way a blind contour drawing always seems to turn out.  I had never used styrene before - it's okay, but I still prefer the zinc or copper; however, for the price, styrene suits me perfectly! About 7 x 5", Mrs. Kelly appreciates your stopping by!

 

Ink Dancers #3 - original ink drawing of tango dancers

 Here's a quick ink drawing that I did with ink pen and brush.  The ink was water soluble of course, which made it so much fun and totally unpredictable.  I don't remember the nib I used to do the lines - I love using different nibs - then went over it to restate some of the outlines after it was dry.  And not "finishing" it also appeals to my art senses.  This piece is 8 x 6" on mixed media paper.  Thanks for looking!

A Little Sketch of the Model - original charcoal portrait drawing

I absolutely love to work in black and white, especially when drawing from life. I did this drawing using a General's Peel and Sketch with a 'hard' rating which I rarely use, but am actually really pleased with this little sketch.  The paper is Strathmore Mixed Media, 8.5 x 5.5".  Some of the lines are restated, which I left (obviously) because otherwise, it's easy to keep making the same mistake, plus leaving the lines lends movement and also tells the viewer the path the artist took in making the piece.  Thanks for stopping by!
 

Sketchbook Nude - original charcoal drawing of a nude

I was attempting to draw the model without much modeling.  It was kind of slow work since there was no gesture drawing as I usually do.  Loved the heck out of doing this one!  It's about 10 x 14" - thanks for looking!

Jive Scribbles No. 7 - how I draw jive dancers

I've had this drawing for months and finally decided to post it since at the moment, all I have are pieces in various stages of finish.  This drawing was a lot of fun to do - just scribbling gestures all over the paper with smaller scribbles on the bottom.  I used an Itoya Calligraphy pen, along with fine  point Sharpies.
 I was lucky to be at a jitterbug exhibition where it would have been so awkward to pull out my pencil and paper, plus it was really dark where we were sitting.  And anyway, I've decided that in these instances, memory is better, even if you can only remember one bit of the dance.  (The reason for that approach is that when you're drawing - unless you're doing a blind gesture - you'll miss lots of the actual dancing because it goes so fast.)
So when I returned to the studio, I streamed some oldies jitterbug music like "Tutti Frutti","Whole Lot of Shakin Goin On", "Rock Around the Clock" - great jive music.   And, using the fine point pen, drew just a bit of what I remembered from the dancers' movements and then keeping my pen on one part of the gesture, began another drawing of the same subject in a slightly different position.  I love that layered look for drawings!  And having the jitterbug music on is kind of an inspiration and helps me to remember more of what happened on the dance floor.  It reminds me not to get tight and to just let the lines flow.
Worked my way across the page - only drew a couple of gestures before the main drawing, but sometimes I do a lot more of the fine line gestures - and then end up doing a bolder line drawing.  I added a few smudges of charcoal in the center.  The little gestures on the bottom are there because I was just fooling around while listening to the music - I never meant to post this - it's just a stream of consciousness kind of thing.  This drawing is on 16 x 20" Canson board.  Thanks for stopping by!

Stella Doing the Twist - original charcoal figurative sketch

Play old-time rock 'n' roll music and get the model doing 'the twist' - much drawing fun!  (I recommend Chubby Checker's music.)  This all dates me, of course. 😃 I loved doing this drawing and would like to do a much longer piece of dancers twisting - it would probably have an athletic look - something to pursue - always looking for ways to depict the figure!  This one is on 14 x 11" Strathmore toned paper.  Thanks for stopping by!

Three Nudes - ballpoint pen sketch

One of those drawings I like to do at drawing groups - putting three figures over each other.  I like that there's no time to fix things, but just record my response to the model.  When I do these kinds of drawings, I always leave with a sense of accomplishment - even more than when I've done a fairly successful painting.  Not sure what that says about me and am not going to try and analyze, but just go with it.  I matted this to about 10 x 7".  Thanks for looking!

Line Jive - ink figurative drawing of dancers

This ink drawing is really the inspiration for the previous post, although I did make some changes when I did the painting. Just letting your pen go a little crazy is a good thing and results in the most interesting outcomes.  I used two pens  -  Sharpie and Itoya.  While I like using these kinds of pens, I also love dip pens - they don't give the same results, but their line quality is often fascinating.  This drawing is on Strathmore Bristol, about 5 x 5 1/2".  Thanks for stopping by!

On My Easel - pen and ink portrait/figurative Work In Progress

Ink is one of the best drawing improvers - and one of the most frightening.  No way to make it right if you mess up -  or at least I haven't found it yet!  I look at this and think 'should I create more texture'?  Or just leave it at this stage?   Will think this over and am definitely open to suggestions.  For this one I used Micron and Sharpie pens on Canson drawing paper.  It's about 9 x 10".  Thanks for stopping by!

Salsa Gal in Black and White - original charcoal figurative Latin dancer

I drew this from another earlier drawing and plan to make a painting from it, but of course, need to add a guy, so have been looking through all my drawings of male dancers.  It's kind of a trip down memory lane to see all these old drawings - many of which I did years and years ago.

Although it's a pretty loose, I did concentrate on her hands and head, which will help me when I do the painting because that won't be so loose.  My challenge with the painting will be the placement of the male dancer.  What fun I'll have with this one!

Am listening to Don Winslow's Dawn Patrol while I work on drawings yesterday and today.  I used to hear about multi-tasking being good for you, but now am reading that it's bad for one's brain.  What?!!  It's always something!  Thanks for stopping by Hackberry Street Studio.

Charcoal Portrait of a Young Woman - original black and white artwork

I am always SO happy to have someone to draw, especially when I can use charcoal.  It's wonderfully forgiving and oh the values that can be achieved!  But I do caution that it should be sprayed with fixative upon completion.  True story:  I had drawn a figure and a portrait in charcoal at the life drawing group a few weeks ago and I was really pleased with the outcome.  As I was putting them in the trunk of my car (not sprayed with fixative, yet), I dropped them both in the street and they were so smeared when I picked them up, they were just essentially not there any longer.  My fault, entirely, but this could have been avoided if I had just sprayed them before I put them in the car.

Repeat after me:  Never ever wait to spray your charcoal drawings!  Always do it ASAP!

And back to this drawing - well I've only sprayed it with workable fixative, which is certainly better than nothing.  It's about 10 x 8".  Thanks for stopping by!

Model on a Sofa in Black and White - acrylic drawing of the model

A quick, kind of unconsidered drawing of the model - was looking for something I could use for a painting and think I've found it in this pose.  For this one, I used black acrylic on 9 x 12" cold press watercolor paper. (I had a couple of requests from readers to explain art terms, so cold press is kind of bumpy paper, not at all smooth.  Then there is hot press which is very smooth.  I love it, myself, but it's thought to be less forgiving.  And also there's a rough watercolor paper, which, you guessed it, is rough!)  Black lines on white paper.  Ahhhhh.  Thanks for looking!

Braids - charcoal portrait drawing of the model

The braids were a real challenge, but in the end, I was pleased.  I used vine charcoal on some really old Grumbacher drawing paper that I found in the back of the closet.  Grumbacher hasn't made drawing paper in years, so this paper is definitely vintage, but because it's acid-free, still wonderful to work on.  17 x 14".  Thanks for looking!

Jive Scribbles #5 - charcoal figurative drawings

I left the far right dancers totally unfinished - or maybe just barely begun.  The drawing is vine charcoal on Strathmore Windpower recycled drawing paper, 11 x 14".  Thanks for visiting my blog!

Drawing of a Young Woman - charcoal portrait drawing

 I didn't have my laptop for over a week and was just helpless when it came to posting my art - it's pretty pathetic when one is so dependent on a machine, but there it is.   This 8 x 6" drawing is one I really loved doing - I began it with a tiny charcoal piece held on its side and scribbled as quickly as I could.  And when the shapes were in, I worked on her features, using vine charcoal and a kneaded eraser on mixed media paper.  Thanks for stopping by!

How I Start a Drawing - ink volleyball gestures

Here are a few gestures from a volleyball game at which I was a spectator.  These kinds of drawings always remind me of wire sculptures - an art form that I really enjoy.  I did these in a little notebook that I often carry - one of the drawings has my notes in Gregg shorthand - another art form, as well as a communication device.  I still use shorthand most days and am thinking of ways to incorporate it into my artwork.  Several years ago, I saw that done in a painting - it was more of an assemblage that featured a key on a cord that was draped in front of the shorthand.  Really unique and beautiful.  Anyway, back to the present - I realize that these drawings don't appear to be very substantial, but for me, all the art I do starts this way.  Thanks for looking.

 

Lindy Seated - original ink figurative drawing

This ink and stick drawing was done from a pose while sitting outside a sandwich shop on West 6th Street in Austin, Texas.  I used an extremely thin balsa wood stick with India ink - one of my favorite ways to draw - and just let the ink kind of do its own thing.  This is a wonderfully freeing type of art and just good for the soul - or my soul, anyway.  I did this drawing on - I think it's Yupo, about 8 x 5".  Thanks for looking!