"Fooling Around with Radishes" - original acrylic, wax pastel, colored pencil, graphite and oil pastel panting

Some of my radishes from earlier in the summer made it as subjects for an 8 x 8" painting on Gessobord.  I thought they were pretty and just arranged them first this way and that.  I then drew them loosely with graphite, then painted with acrylic and topped the whole thing off with wax pastels, colored pencils, and oil pastels. The kitchen sink, you might say.  

This exercise in using mainly drawing tools convinced me that I'm basically a drawer - okay, draftsman, sketcher - not so much a painter - and am always trying to figure out ways to use oil paint in my drawings on board because they won't need to be framed under glass.  My latest idea is to cut oil sticks (not oil pastels, but actual oil sticks) into smaller pieces to make them easier to work with for drawings.  The main reason I seldom use oil sticks is their size.  Years ago, Winsor & Newton had 'slim' oil sticks, I think they were called, and they were great, but then they were discontinued, which was such a disappointment.  I find it really difficult to use these bigger sticks.  They're just too fat!  So now I'm going to try and draw with smaller pieces of this medium.  My oil stick 'collection' includes R&F, which is just wonderful,  Sennelier,  Winsor & Newton, and Shiva.  Surely I can find a way to make this plan of mine work!

Thanks for stopping by!

 

"Loree" - original graphite portrait drawing of a woman

Although I love to draw with charcoal, occasionally I will use a graphite pencil to do a portrait.  I used HB and 2B on this one -  the support was Canson mixed media paper.  The paper is white although with my great photography, you wouldn't know it😞.  I also trimmed it to 8 x 4 3/8".  Thanks for stopping by!
 

The Print Shirt - original pencil portrait drawing

This 13 x 10" drawing began life as a pose taken by the little girl, but then I realized the futility of having a youngster try and hold a pose for a long time, so I took a picture of her and mostly drew from that.  Drawing from life has its limits when dealing with children.  Actually, I don't think I could hold a pose for any length of time.  I cringe when the model doesn't show and we have to take turns posing.  Just like waiting to give a book report in middle school, I always hope the session will end before I must take my turn.  This is on wonderful Stonehenge white paper and instead of using charcoal, as I usually do, it's done with a graphite pencil.  Pencil just has a sort of softness that I like for children.  Thanks so much for stopping by!  Sold