"Fiddling Around" - original oil pastel figurative drawing

I loved doing this very loose 7 x 5" oil pastel on Pastelbord - maybe because her activity (or lack thereof) is one of my favorites. 😊  This little piece is very raw - I didn't smooth anything and it's very much like the quickly done original pencil drawing I did while watching a girl at a table with her friends.  She was in her own world while the other girls chatted noisily.  I used lipsticky Sennelier oil pastels - what a joy they are to work with!  I guess I spent a teeny bit more time on her face and hair and allowed - particularly her left side - to just sort of 'happen'.  If you spend even a small amount of time on my blog, you know that's my favorite way to work.  Thanks so much for stopping by my studio!
 

Sketch of Janie - original oil pastel portrait drawing

 This loose drawing is one I copied from a more serious piece that I did in a life drawing group.  I was getting ready to send the first one to File 13, but gave it another life here.  I allowed myself maybe 10 minutes and went crazy.  Done on sanded pastel paper with mostly Sennelier and some Caran d'Ache and CrayPas Specialist oil pastels, it's about 7 x 10".  I never stop loving my oil pastels - more artists should try them - whether drawing or painting, they're up for anything!  Thanks for stopping by!

Clara's Hat - original oil pastel portrait

I used a rather casual approach to this little piece which always seems to be my best option. Loose and inexact makes me so happy - not just in what I do but in most all artwork.  Her pose was perfect as a design, I thought, so I kept her over on the side.   My tools were Sennelier oil pastels on 7 x 5" Ampersand Pastelbord.  Much fun.  Thanks so much for stopping by!

 

Woman with a Fan - original oil pastel portrait painting

Here's one that I'm trying before painting the same pose in oil.  I'm pretty happy with it. A problem arises though, when I don't get the same feeling in the oil painting that I have in the original drawing - plus no more model.  I think there's just something spontaneous that happens in a drawing group but when I'm back in the studio, it's tough to reconstruct the emotion.  The artist's reaction to the live model is what painting from life is all about, I think (when it's not a commission and must look exactly like your subject).  And even with commissions, there's a bit of the artist's reaction, as well.  Hey, I think I just figured it out - I'm going to stop with this one since I'm happy with it.  See what talking it out can do? 😌  This piece was done on 7 x 5" Pastelbord using mostly Sennelier, with some Caran d'Ache, too.  Thanks so much for stopping by (and listening)!