and then moving to Caran d'Ache oil pastel. The (unsuspecting) model was in a quartet I was lucky to see and being close to the musicians, I zeroed in on this violinist. It's totally a memory drawing, but I think really pretty accurate. I love drawing musicians as much as I love drawing dancers. Gotta have music to dance, right? The support for this piece is the carton board (carton is supposed to have an accent over the "o" but I don't know how to do it) from Guerrilla Painters. I love this stuff. It's great for oil pastel, charcoal, oil, acrylic and others, too, I'm sure. If I use it for oil, I use clear gesso so I don't lose the beautiful color, which would happen if I used regular gesso. With oil pastel, I just draw directly on the paper since OP contains a different type of oil that won't damage the support. And the carton will then be bonded to museum board for extra strength. Thanks for stopping by!
Monday, May 15, 2023
"The Violinist" - original charcoal and oil pastel portrait drawing
and then moving to Caran d'Ache oil pastel. The (unsuspecting) model was in a quartet I was lucky to see and being close to the musicians, I zeroed in on this violinist. It's totally a memory drawing, but I think really pretty accurate. I love drawing musicians as much as I love drawing dancers. Gotta have music to dance, right? The support for this piece is the carton board (carton is supposed to have an accent over the "o" but I don't know how to do it) from Guerrilla Painters. I love this stuff. It's great for oil pastel, charcoal, oil, acrylic and others, too, I'm sure. If I use it for oil, I use clear gesso so I don't lose the beautiful color, which would happen if I used regular gesso. With oil pastel, I just draw directly on the paper since OP contains a different type of oil that won't damage the support. And the carton will then be bonded to museum board for extra strength. Thanks for stopping by!
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