Showing posts with label limited palette. Show all posts
Showing posts with label limited palette. Show all posts

Saturday, December 04, 2021

Della - original charcoal and pastel portrait



This drawing is one that I think will end up as a painting.  Her solemn demeanor appealed to me so much  - didn't have enough time to add more details and maybe that's a good thing since her face and hair seem to be the most important.  But we'll see. Sometimes when I turn things into a painting, there's a totally different result - probably happens to y'all sometimes too - right?  I did this on Strathmore 12 x 9" toned blue paper, using General Pencil Co Peel and Sketch charcoal, plus their compressed pastels.  Thanks for stopping by!

Thursday, November 04, 2021

Path to the Dune - original landscape oil painting

Something totally different which I do from time to time.  I painted this landscape on Gessobord, 6 x 8", with professional oil paints, using a limited palette.  Just about all my work is done with a limited palette, not always just my favorite four colors - titanium white, ivory black, Indian red and yellow ochre, but still many fewer than most artists.  And often I try out a guest color which is lots of fun for me.  Thanks for stopping by!
 

Tuesday, August 10, 2021

Julie - original pastel portrait drawing


pastel drawing young woman profile looking down
Every now and then I get the urge to get out my pastel pencils and do some drawing.  I love them, especially my Caran d'Ache pencils, used in this case on the smooth side of Mi-Teintes.  Framing something so delicate is a problem for me, since I always do it myself.  I usually make a gutter for the loose pastel to fall into with acid-free foam core or use spacers that attach to the glass.  Either method stresses me no end, which is probably why I don't do soft pastel any more than I do, because I really really love to work in this incredible medium. And then the requirement in so many shows that plexiglass must be used.  I've heard that the anti-static spray works great for awhile, but must be reapplied.  How does one do that without unframing the artwork?  Bound to be solutions but I haven't come across any yet.😟 Thanks for stopping by and I would love to know if you have any answers!

 

Thursday, October 22, 2020

Reluctant Vera - original oil portrait sketch





Here's one from a drawing group where the model didn't show, and in those cases, everybody takes a turn as the model - or most everybody, since I think I avoided it that time - so I call this one 'Reluctant Vera', because she wasn't thrilled to be the model, but she was a good one, nevertheless.  Drawing group attendees who have to replace the model soon find out how really tough it is to be a model - staying completely still for 20 minutes at a time, then trying to get back into the same exact position after the break.  Models earn every bit of their pay! 
I used mostly Gamblin and Blue Ridge paints and a couple of Grumbachers on this piece.  I shouldn't use a lot of colors, because as one of my painting teachers told me, I always turn everything into a basic limited palette which I did on this one except for the blue, so I think I'll just save the money and go back to the four or five colors.  😀 Thanks for stopping by!




Sunday, October 04, 2020

Ready for Night - original pastel pencil portrait drawing



 
pastel pencil drawing of a red-headed woman
Here's a pastel pencil drawing that I did some time ago, using a very limited palette of Caran d'Ache pencils.  At that time, I only had a few of this brand that I was trying out and since they - unlike most pastels, even in pencil form - didn't make me sneeze, get in my eyes and just generally make me feel itchy, I've acquired a nice collection of Caran d'Ache.  Most likely, how I use pastels is the problem, but since I'm mainly an oil pastelist, problem solved!  This was a pretty quick drawing - don't remember how long - but I was mainly interested in the satiny strap over her shoulder.  It's on toned paper, 12 x 9".  Thanks for visiting!

Thursday, July 18, 2019

On My Easel - Portrait of a Scholar WIP - oil pastel

Definitely a work in progress with much more to do, but I'm beginning to see the light at the end of the tunnel.  It's too "warm" for me, so am doing a bit of cooling off - blue in the background and possibly more to come.  This is one I'll leave alone for a few days and see how it looks then.  I have lots more to do re drawings and paintings.  Will post again when it's finished - 16 x 12" on gritty paper.  Thanks for looking!
To see more about the oil pastels I'm using in painting this portrait, click here to visit my oil pastel blog.

Tuesday, December 04, 2018

Another Crazy Drummer - original acrylic figurative drawing

black acrylic drawing of drummer playing drums and touches of watercolor
The hairdo got me.  Lots of hair.  A good and pretty wild drummer, but he could really play those things!  I thought of making it have more movement by adding strokes after I was finished, but decided to leave it as I drew it and just added a bit of watercolor.  This drawing is on 12 x 12" Strathmore acrylic paper, which is 246 pounds - cannot go wrong with that weight, just good for so many applications.  I used #2 bright and #4 filbert brushes with the black acrylic, painting from a drawing I did years ago.  Could do more 'finishing', but I'm not.  More fun that way!

Thursday, October 25, 2018

Seated on a Stool - figurative oil painting of a woman

I thought this was an interesting setup and fun to paint.  I used a limited palette which I love doing.  Actually, though, that's probably the only choice.  It's 14 x 11".  Thanks for visiting!

Tuesday, May 01, 2018

Trying out some chalks - drawing of woman looking into light

I did this one on grey toned paper - Strathmore -working with some General's compressed pastels - black, white, sanguine, sepia - that I found while going through my supplies. (Oh, the stuff I haven't even uncovered yet!)   I really enjoyed sketching with them.  They will work beautifully on a more finished drawing, too, but I love leaving things a little raw.  Thanks for looking!

Tuesday, October 18, 2016

Three Nudes on Turquoise - original acrylic paintings of nudes

I started out thinking this would be easy.  But I just felt so rushed - which I actually love and makes one move the paintbrush around very quickly - so why am I complaining?  Must just be a bad habit I've fallen into.  It was a challenge, but a fun challenge!  I love some of the passages, which is always so rewarding for us artists.  Was involved in a conversation yesterday about passages we love when we paint and the very accomplished artist I was speaking with said that's why she keeps on painting.  I can identify with that!  The panel is 8 x 10".  Thanks for looking!

Saturday, September 10, 2016

Formal #2 - original oil figurative sketch

This sketch is based on an earlier charcoal drawing of mine and I'm just fooling around with it here; playing with the idea that working on a pose over and over helps to understand it better, resulting in a  more successful painting in the end - we'll see.  Today's sketch is done on 8 x 8" canvas and it is SO absolutely not finished.   Another stream of consciousness thing.  Thanks for looking!
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Wednesday, March 09, 2016

Strumming - original oil figurative sketch

This sketch was done on Arches oil paper, using a limited palette (black, white, yellow ochre and Indian red) and is about 11 x 11".   It's really great to paint on this surface - very freeing - no pressure to create a 'masterpiece' - not saying I ever do, of course.  Thanks for looking!

Wednesday, August 20, 2014

Brenda - original oil pastel portrait drawing


I wish I'd had more time for this drawing, but  anyway, I loved working on this gray-blue Strathmore 403 oil pastel paper. I know - it looks tan, but that is just my pathetic photography.  My palette was very limited. It's about 9 x 9".  Thanks so much for stopping by!

Monday, June 17, 2013

Friday, October 19, 2012

Flowered Shawl - original oil painting of a nude

Much fun with this painting - it's really the way I like to use oil paint, since covering the canvas completely, and covering up  my lines isn't something I particularly enjoy.  This model was a delight to draw/paint - these were quick poses, so there wasn't much time to noodle and I adore that way of working.  The support here is 14 x 11" stretched canvas from Hobby Lobby - one of my faves!  Thanks so much for stopping by!

Tuesday, January 19, 2010

Backward Glance - original oil portrait painting by Connie Chadwell


This painting was sort of a difficult pose to paint, I think, but I'm pleased with the outcome.  It's from a line drawing that I did and for the life of me, I can't remember who or where the model was.  Scary!
This painting is 8 x 10" on linen.  Thanks for visiting my blog!

Saturday, October 10, 2009

Portrait Practice - original oil portrait painting by Connie Chadwell












Here's something I did on Saturday afternoon. The drawing was done from life and using the drawing as a model, I painted this very quickly, with a limited palette, as a practice piece.
As much as I like value changes, this one doesn't have a wide range of values - kind of soft. It's probably good to do something different for a change. It's 5 x 5" on Gessobord.
Thanks so much for visiting!

Tuesday, July 22, 2008

Wallflower - original oil figure painting


One day she'll be a swan, but getting through the awkward stage is the challenge for now. I find young people at this sort of gawky time of life to be so charming and just wonderful to draw. This painting is 6 x 6" on Ampersand Gessobord and was painted from drawings that I did from life.SOLD


Thanks so much for visiting my blog!

Tuesday, May 27, 2008

A Little Nap - original oil figure painting


Sometimes the festivities get to be too much for a girl - even a young one.


This painting is 6 x 6" on Ampersand Gessobord. Thanks for looking!SOLD